Volume two enlists local production duo, the Rondo Brothers, to produce some of Vinyl’s best new work. Collaborating with Tony Mindel, they blew-open seven Vinyl tracks and added the Rondo’s whiplash drumming and exaggerated electronic thump. The music swells with harmonica and horn heavy percussion foundation that Vinyl is built on. Legendary bass player and friend Les Claypool adds his funky and expressive sound to four vibrant tracks.
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Bay Area friends and producers, the Rondo Brothers and Tony Mindel take sections of previously recorded Vinyl music and add spice to the edges and intriguing samples throughout the album. The result is old tracks with new ideas to give a new hip-hop feel to the funky sounds of Vinyl. Veteran P-funk keyboardist and hall of fame inductee, Bernie Worrell, lends his signature sound from start to finish.
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Vinyl jams go between vintage reggae, rock rhythms, raw funk and classic soul with authenticity that makes the serious music lover take notice. Recorded at the historic Great American Music Hall highlights bassist Rob Wasserman, chart topping vocalist Huey Lewis and famed funk keyboardist Bernie Worrell.
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These songs weave their way in and out of grooves and dub interludes with the help of musical guests Les Claypool and Bernie Worell. With gliding Latin-jazz vamps, skittering grooves that echo James Brown’s funky drummer, and a subtle reggae skank. These cats craft grooves that shift like views from a kaleidoscope.
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Live at Sweetwater
Morse Code -- Night Ride -- Monkey Wrench -- Always There / Bobo Orgy -- Last Camel to Vegas -- Gravity Car -- Percussion Jam -- Cyclops -- Strataskank -- Voodoo
Recorded Live At Sweetwater in Mill Valley, Ca.
Sept. 25-26, 1997
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From the very beginning, Vinyl was noticeably influenced by the old school funk grooves of bands like the Meters, while still holding a certain flare for Latin, reggae, jazz and dub elements. Vinyl’s self titled album will get you dancing with its Latin percussion mixed with funky helpings of R&B and reggae.
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